Image Credits
“Project Description” Tile: David Garneau, “Two-Eyed Learning,” 2021, acrylic on panel, 24” x 18”
“People” Tile: David Garneau, “After-Life,” 2020, acrylic on canvas, 23” x 23”
“Presentations & Select Publications” Tile: David Garneau, “Indigenous Art Shaping Canadian Art,” 2021, acrylic on panel, 30” x 36”.
“Catalogues of Uncommon Curatorial Practices and Legal Precedents” Tile: David Garneau, “Ethnography,” 2020, acrylic on panel, 20” x 16”. Lincoln Alexander School of Law, Toronto Metropolitan University
“Sensitive Material” Tile on Sensory Design Homepage and “Sites of Related Interest” Tile: David Garneau, “Anticipating Rescue (after Goya),” 2020, acrylic on canvas, 28” x 36”. Assiniboia
“Image Credits and Literature References” Tile: David Garneau, “Everything is Connected I,” 2024, acrylic on canvas, 48” x 36”
Literature References
Project Description References:
Canadian Museums Association. Moved to Action: Activating UNDRIP in Canadian Museums, 2022. https://museums.ca/site/movedtoaction
Constance Classen & David Howes, “The Sensescape of the Museum: Western Sensibilities and Indigenous Artifacts” in Elizabeth Edwards, Chris Gosden and Ruth Phillips (eds.). Sensible Objects: Colonialism, Museums and Material Culture, 199-222. Abingdon: Routledge, 2006
Elizabeth Edwards, Chris Gosden and Ruth Phillips (eds.). Sensible Objects: Colonialism, Museums and Material Culture. Abingdon: Routledge, 2006
Marcel Mauss. “A Category of the human mind: the notion of person, the notion of ‘self’” in Sociology and Psychology: Essays. London: Routledge, [1938] 1979.
Truth and Reconciliation Commission of Canada. Canada’s Residential Schools: The Final Report of the Truth and Reconciliation Commission of Canada. McGill-Queen’s University Press, 2015